Ink that’s so dark blue it flirts with turning black on the page as you write.
The stiff feel of new denim, especially the type used to make carpenter’s trousers.
The blue sound stiff denim makes when it brushes together unexpectedly.
The stimulating syllables of the word “midnight,” used in a sentence, to describe a hue I adore.
The unmistakable color of Blue Note Records Blue.
Clouds and sky as drawn by children everywhere.
An azure silk scarf, looped gently around my neck, to bring color to my eyes and face on a rain-drenched day.
The still-water blue of the walls of my bedroom, tinged with a metallic wash to give it depth and pop.
Dreams with blue objects— a coat, a dog, a song, a book. Then, waking with a start to a cool room and the timpani song of thunder.
An old cerulean cloth-covered book with a broke-down spine and faded silver lettering. The sure blue weight of it in your hands.
Blue, when used as a word to describe a mood, evokes a feeling both languid and sad as a rumpled bed.
Tattoos in the style of antique woodblock prints, faded an old, almost ancient blue, flashing from a sleeve during an overheard animated conversation.
Periwinkle-dyed children’s clothes are charming and soothing, but the same color is a disconcerting jangle as a choice for a dessert plate.
Billie Holiday’s voice singing round and tight on her rendition of “Blue Moon.”
Blue moon, I'm no longer alone. Without a dream in my heart, without a love of my own.
For more lists from The Bluebird Pillow Book, please click the link on the left-hand side of this post.
Or, if you would like to read about pillow books in general, you may want to check out my Mash Note to Sei Shōnagon..
![[Portrait of Billie Holiday and Mister, Downbeat, New York, N.Y., ca. Feb. 1947] (LOC)](http://farm5.staticflickr.com/4090/5019790813_62c36b4b23.jpg)
Blue Note and Billie = Bliss from Bluebird.
YAY! I love, love, love both Blue Note and Billie Holiday. I’m glad you feel the same way. (Personally, I think her version of “Blue Moon” is the definitive one, if I had to make a choice.) Happy Friday, Brian!
The early/mid 60s Blue Note output is astonishing: Herbie Hancock, McCoy Tyner, Hank Mobley, Art Blakey, Dexter Gordon….excuse me, I think I’m going to plotz….
I know, I know! The discography of Blue Note is crazymadgood, right? (Some of those names I don’t recognize though. I need to get back to my jazz education. Merf.)
The color of those supposedly happy birds.
Shadows on snow.
Oooooh. Good ones. Both simple and yet unexpected. Love your language, Yearstricken!
The blue that is not a color but a flavor–blue raspberry, blue lollipops, blue cookie frosting all over my daughter’s mouth.
Which sounds more poetic than my first thought, “Blue the dog from Blue’s Clues.” Most things would sound more poetic than that, really.
Also, I love Billie Holiday singing Blue Moon! Thank you for introducing me to it.
I love, love, love the phrase “blue that is not a color but a flavor…” and your list of examples is exquisite.
Immediately, it made me remember eating blue raspas (sno-cones) on the ancient flagstones in the center of the city where I live— in the hot, white summer heat. The flavor was coconut, and it was blue, so for a long time I assumed anything coconut was also bright, hopeful, cold blue.
Billie Holiday was my introduction to jazz. I’m so glad you liked her version of Blue Moon! To me her voice is big, but vulnerable. When I listen to her recordings at home, I’m immediately in a better mood. There’s something so honest in her.
I’m kind of hoping (read: really hoping) that you’ll do a pillow book list on your blog! (Or a full pillow book list here.) You’ve got a wonderful poetic touch!